Danse Macabre with the faggots in San Francisco. A twisted night of boozing and grabbing asses as they did coke and clawed to a greater understanding and purpose. The streets were narrow and full of people, a terrorizing notion at this point, yet we prevailed. There was no reason for these nights other than youth and a small sum of collected money and the driving, fiery urge to get fucked up and let the world know who you are.
So we played this game. We drank on the Muni and hassled the locals and ate late at Sparkey’s and my head pounded in abject misery for the following forty-eight hours. Yet I would never take a moment of it back. I have long held that a man (or woman) is only true when all filters are removed and they can properly express themselves. Many, (myself included) find a tremendous amount of shame in these times of personal base revelation. Yet the necessity is there if you want to feel ALIVE.
Those nights landed me in dubious company, stabbing a tire, running, and into the ocean more times than I can count. A stop-action fragmented blur of faces and places and sounds. There was a feeling of infinity then. Of limitless possibility that you either embraced or surrendered to in sniveling, kowtowed fear. Most of us end up with this fear as we get old; all of us have to fight it at some point.
Bela Lugosi is dead. Susan Sarandon feigning a dyke act with some frog woman while baboons screech like cats and age and die to dusty bones. The music and the feel of it. The blood-pulse of the City by the Bay, pre irony.
We drank and hassled and fought and fucked and trashed and spent and slept in the streets and the sand. We came hard as outsiders (we’re all outsiders in the city) and we stamped in human soul our mark in the pastiche that makes up the place. The gratuitous obscenity of it. The laughable ruse. All worth the drive and the time.